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SARCASTIC

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WITTY

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AWESOME

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full overview

Fanciful, witty, and sarcastic, Elizabeth claims to be a sophisticated individual and revels in her alleged tastefulness, though in reality she's just a grumpy killjoy.
She is cynical, sharp-tongued, snarky, and yearns for the now all too distant days when "we all weren't such idiots".
However common sense escapes everyone she doesn't know.
But of course, being simultaneously that and a very intelligent individual, Elizabeth will try her hardest to force it into people—basically shoving it down their throats and choking them in the process.
Take the mouth of a sailor and the intellect of an eighty-year-old college professor, mash them together in the most brutal way possible, and you get this unholy hybrid that can only be described as an absolute smartass, undercover genius, and that one guy who's constantly correcting your grammar.
Her signature line is "It's whom, not who".
She, oddly enough, enjoys getting into arguments, and will often pick a fight if she grows bored.
It's one of her favourite pastimes, as well as pissing anybody and everybody in the same room with her off to the point of them nearly bashing her head in.
But it's fun to see how annoyed they get before that happens.
Despite the above, in addition to being prone to rough speech and extreme impudence at times, she isn't really a straight up asshole—Elizabeth is just, as she herself states...scathingly critical.
Taciturnity seems to suit her greatly and she likes to think highly of herself; quintessential, proper, and altogether absolutely invincible, resenting being called "Lizzie" and anything related to the opposite of refinement.
She is also apparently talented at losing things, tending to have very, very bad luck, but is still quite arrogant in terms of pride.
Also, she is rarely ever afraid of anything, and others attempting to be intimidating amuses her—unless they actually are intimidating, in which case she will be the same right back.
Surprisingly enough, she can be very sly and persuasive, but this generally leads to her using this ability for less than stellar purposes.
She doesn't succumb easily to manipulation herself, and is therefore very difficult to get information out of, so she usually ends up making the other person's desperate prying look useless and pathetic.
Elizabeth is mostly disconnected from the world and prefers to work alone, but she's quite an ineffectual loner seeing as how often she interacts with others.
She doesn't know how to express herself outwardly, which leads to people misunderstanding her, so she will employ the tactic of frequently swearing and making snide remarks to keep up a personality in others' eyes.
In reality, Elizabeth is pretty spacey, and can be said to live only in her own imagination, as well as being painfully shy on the inside and becomes embarrassed easily.
She is self-deprecating as well, having a bleak view of the world, and is described as tsundere.
In spite of her harshness, Elizabeth definitely has a softer side, seeming to genuinely care about some things, and can be startlingly mature and serious at times, far beyond her years and possibly even time itself.

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ÉLISE

ZOROARK #571

night daze
night slash
nasty plot
focus blast
flamethrower
extrasensory

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NATHANIEL

BANETTE #354

shadow claw
will-o-wisp
destiny bond
sucker punch
gunk shot
thunder wave

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starrick

HONCHKROW #430

brave bird
drill peck
superpower
roost
tailwind
steel wing

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NICKNAME

SPECIES NAME #000

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NICKNAME

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NICKNAME

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+ tl;dr

times were changing, eighteen years and fading. ain't a lot of time left to be a star. on an island, all alone and dying - walk upon the water, but you won't get far. dreams and visions tied into decisions. saw you on a postcard from the other side. hope and glitter, never feeling bitter. walk upon the water just to be your bride. don't tell me now that there is nothing more. there is a how, just like there is a door. and if there's not to be another way, you tell me why, why, why.



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+ friendship

stay and follow if the words are hollow. gotta go along 'cause it's all you got. each day, earn them. turn around and burn them. think you're fitting in, but you hope you're not. neatly drowning. every drink, you're downing. if you drink enough, you'll forget the game. each illusion wrapped in absolution. live your life in weekends, but it's not the same. don't tell me now that there is nothing more. there is a how, just like there is a door. and if there's not to be another way, you tell me why, why, why, why.

+ hateship

times were changing, eighteen years and fading. ain't a lot of time left to be a star. on an island, all alone and dying - walk upon the water, but you won't get far. dreams and visions tied into decisions. saw you on a postcard from the other side. hope and glitter, never feeling bitter. walk upon the water just to be your bride. don't tell me now that there is nothing more. there is a how, just like there is a door. and if there's not to be another way, you tell me why, why, why.

+ loveship

stay and follow if the words are hollow. gotta go along 'cause it's all you got. each day, earn them. turn around and burn them. think you're fitting in, but you hope you're not. neatly drowning. every drink, you're downing. if you drink enough, you'll forget the game. each illusion wrapped in absolution. live your life in weekends, but it's not the same. don't tell me now that there is nothing more. there is a how, just like there is a door. and if there's not to be another way, you tell me why, why, why, why.

+ wanted

times were changing, eighteen years and fading. ain't a lot of time left to be a star. on an island, all alone and dying - walk upon the water, but you won't get far. dreams and visions tied into decisions. saw you on a postcard from the other side. hope and glitter, never feeling bitter. walk upon the water just to be your bride. don't tell me now that there is nothing more. there is a how, just like there is a door. and if there's not to be another way, you tell me why, why, why.

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YOUR MOM

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